:
Welcome to meeting number 27 of the Standing Committee on Canadian Heritage.
Before we begin, I'd ask you to read the guidelines written on the updated cards on your table. They are measures in place to help prevent feedback incidents and to protect the health and safety of all participants, including our interpreters. You will notice that there's a QR code on the card, which links to a short awareness video if you need more information. Please wait until I recognize you by name before you speak. All comments should be addressed through the chair.
Pursuant to Standing Order 108(2) and the motion adopted by the committee on Monday, September 22, 2025, the committee is meeting to study the state of the journalism and media sectors. It looks like we have a big panel here today.
[Translation]
We have Marie‑Eve Carignan, full professor and UNESCO chair in the prevention of violent radicalization and extremism, Université de Sherbrooke, as an individual.
[English]
We have, from the Aboriginal Peoples Television Network, Cheryl McKenzie, executive director; Mike Omelus, executive director of content and programming; and Joel Fortune, legal counsel. Welcome.
We also have with us today, from Accessible Media Inc., David Errington, president and CEO; and Kevin Goldstein, outside regulatory counsel.
From the Canadian Ethnic Media Association, we are joined by Kiumars Rezvanifar, president; and Madeline Ziniak, chair.
Each organization will have five minutes for an opening statement, and then we'll invite questions from members.
[Translation]
We'll start with Ms. Carignan.
You have the floor for five minutes.
:
Thank you, Madam Chair.
Thank you for the invitation today.
I'll start by saying a few words about my background, as well as why I'm speaking to you today. I was an analyst and communications manager at the Quebec Press Council for seven years. The Quebec Press Council is the informal tribunal for the press in Quebec, so it's a media self-regulatory body. At the council, I focused on the media's professional and ethical framework. For the past 12 or so years, I have been a communications and public information professor at the Université de Sherbrooke. My research focuses on journalistic practices, media ethics, the impact of media in society and disinformation.
Today, I wanted to talk to you about the media not only as a public good, but also as a public good with significant responsibility.
It's important for the media to be considered a public good, since they're unlike any other businesses, given their essential role in democracy and in serving the public, that is, Canadians. Everyone can benefit from them. For that reason, public intervention is necessary to fund them.
With that in mind, it's necessary to maintain and strengthen the financial sustainability measures that the Canadian government has already adopted because, as you know, traditional advertising revenue for media is continuing to decline. There has been a $6 billion drop since 2008, in favour of major American digital platforms.
Measures such as the Online News Act are essential to the survival of these media outlets and must be strengthened. Countries would benefit from coordinating their efforts to adopt stronger common measures and work together to perhaps carry more weight in the face of these web giants.
The Canadian journalism labour tax credit also needs to be maintained and strengthened, in my opinion.
It's important to fund journalism, which has significant added value for the public, particularly fact-based journalism, investigative journalism and science journalism.
Measures must be taken to promote local media because of their importance. There is cause for concern about certain news deserts where local news and municipal political coverage are entirely non-existent. There are certain regions, particularly in Quebec, that are covered by a single media outlet and sometimes by a single journalist. These are sometimes vast areas that are very difficult to cover.
As an example of the importance of local news, our research on the Lac‑Mégantic rail tragedy enabled us to demonstrate the crucial role of local media in a crisis. In the context of that crisis, local radio was truly an essential driver in making it possible for the public to know the appropriate public health measures to take. Those measures weren't reported in the national media, so the only place the public could learn how to act was in local media, including local radio. That makes it necessary to fund these media outlets, which are essential in crises, and to include measures for these media in tax programs.
In another report that our team submitted to Quebec's department of culture and communications in 2023, we also demonstrated the essential role of indigenous media in serving these communities. These communities feel under-represented by the national media. Indigenous media face pressing issues in terms of human and material resources and training for professional journalists. They need recurrent funding. Project-based funding is particularly restrictive and ill-suited to their situation. They also need a better structure for collecting advertising revenue, including government advertising. In fact, a number of the stakeholders we interviewed during this study explained to us how much government advertising had helped save their media outlets during the COVID‑19 pandemic. It was essential for them, and many of them would have shut down.
A public good like the media obviously also entails a significant social responsibility. We're facing rising disinformation in a world where the Canadian public is still heavily relying on social media for information. Despite the fact that Meta blocked news sharing, various data, including from the Digital News Report 2025, actually still show that a large number of Canadians, one in four or five, continue to get their news from Facebook. That's extremely concerning. It's important to provide the public with diverse sources of information so that people can deal with this rise in online disinformation.
The results of another survey we conducted during the pandemic enabled us to demonstrate that the public sometimes had emotional expectations of the media during crises. The media is accused of being too critical at times, of not being critical enough at other times, or, when fatigue sets in, of over-reporting a crisis, such as the ice storm. In fact, every party involved views the crisis as their crisis, and people sometimes get an impression of media bias when it may also be a subjective perception of the impacts of the crisis and uncertainty. In any case, the blurring of journalistic genres—between information and opinion—fuels a certain public distrust of the news.
In another study that my colleague Marc‑François Bernier and I conducted in 2023, we were able to demonstrate that while the majority of respondents believed that events unfolded as reported by the media, many had doubts about the independence of journalists and news businesses when it came to politics and the economy, in particular.
That's why media accountability is so important. If media outlets are public goods, they have to put structures in place to demonstrate that they're meeting ethical standards and ensure that they're accountable to the public. The public needs transparency and more awareness of journalistic practices. Media literacy is key to understanding news sources and choosing them wisely, especially in the context of the rise of artificial intelligence and deepfakes.
Investing in training for journalists, particularly those who work in community media, and providing them with the resources to develop the technological and digital tools necessary for their discoverability is essential to their survival. Pooling those resources would be a good opportunity for those media outlets.
In short, in a world in crisis, and given the rise of disinformation and biased sources, it's important to present the media as a public good that must be funded accordingly, but which must also be accountable for its actions because of its social responsibility.
Thank you.
Good morning, Madam Chair and members of the committee. Thank you for inviting us to appear today.
APTN News brings indigenous perspectives to Canada's national conversation. We do it to the highest professional journalistic standards. From day one, we have ensured journalistic independence and editorial integrity. Those uncompromising principles were established by the late and renowned news director Dan David when APTN News was first built. They continue to guide how we operate today. Our journalists follow the same rigorous standards you would expect from any major news organization in Canada.
What makes APTN different is the indigenous perspective. We cover stories that you won't see anywhere else, which make up much of our reporting, and we also cover the national and global stories that every network is covering. APTN invests heavily in journalism. We operate bureaus across the country and send reporters wherever the story requires, even when that travel is difficult and expensive. Recently, our journalists travelled to Greenland to report on the Inuit perspective regarding threats of a U.S. takeover. We also travel throughout Canada and to many remote communities. We recently travelled to Resolute Bay and Grise Fiord to report on the changing way of life due to melting sea ice.
This kind of reporting takes time and resources. While many television news reports today run under 90 seconds, APTN stories often run three or four minutes, and sometimes longer. That time matters. It allows our journalists to explain the story, include community voices and report the full story, because first nation, Inuit and Métis communities are complex.
APTN produces one of the few remaining stand-alone investigative news programs in Canada. Our journalism has received national recognition, including Canada's most prestigious journalism honour, the Michener Award. But the most important measure is the trust we work for with our communities. No other media outlet in Canada can match the volume and breadth of indigenous news coverage that APTN accomplishes. As indigenous peoples, we are the ones who need to be telling our own stories.
I'll now turn things over to my colleague Mike Omelus.
[Translation]
Good morning, everyone.
[English]
Canada's media system is under real pressure. The alarm bells are already ringing.
[Translation]
The Canadian broadcasting system is going through an extremely difficult time. Changes in the media market are threatening the ability of Canadian broadcasters to continue producing journalism and other programs that reflect our country. The fundamental question is this: Will Canada still have the necessary media institutions to tell its own stories?
[English]
APTN relies primarily on our subscriber fee and advertising revenue to operate, but all of this is at risk. The broadcasting ecosystem is being reshaped by global streaming platforms. They operate widely in Canada and make billions in revenue, but they don't yet make nearly the same level of contribution to the Canadian system that we expect from Canadian broadcasters. This is not sustainable for the Canadian system and for Canadian broadcast media. That's why APTN has proposed that the CRTC establish a services of exceptional importance fund designed to support broadcasters that provide essential public value to Canadians. This and other measures are necessary for Canadians and Canadian stories to have a meaningful presence online.
Indigenous journalism, storytelling and language preservation all depend on a healthy Canadian broadcasting system, as does journalistic integrity, we believe. You can't protect journalistic integrity if the newsroom disappears. It's time for all hands on deck. Media organizations and newsrooms across Canada are at risk of disappearing, and APTN is no exception.
[Translation]
Thank you.
We look forward to your questions.
Accessible Media Inc., or AMI, would like to thank the committee for the opportunity to appear before you this morning to offer its views on the state of the media industry in Canada.
My name is David Errington, and I am president and CEO. With me today is Kevin Goldstein of Goldstein Communications Law, AMI's outside regulatory counsel.
AMI is a Canadian content company that entertains, informs and empowers persons with disabilities through the offering of original content that reflects diversity and inclusion. AMI operates three broadcast services: AMI-tv, AMI-audio in English and AMI-télé in French. Each of these services benefits from a mandatory carriage order from the CRTC, which requires Canada's cable and satellite companies to distribute AMI services to all their subscribers and to pay AMI a monthly fee per subscriber set by the commission. AMI's vision is to establish a supportive voice for the one in four Canadians with a disability, representing their interests, concerns and values through accessible media reflection and portrayal.
This study comes at a critical time for the Canadian media sector. For well over a decade, the Canadian broadcasting system has been undergoing a significant structural change driven by the emergence of foreign-owned Internet streaming platforms such as Netflix, Prime Video and Disney+, and to related declines in subscriptions to traditional cable, IPTV and satellite providers.
AMI services and other public interest channels like them play a very important role in the Canadian broadcasting system and make immeasurable contributions to the communities they serve. Together, we form a cornerstone of Canada's democratic, cultural, linguistic and accessible ecosystems, bringing trusted public interest programming to Canadians in every region of the country.
However, it is important to recognize that these channels are directed at niche audiences and would not exist without regulatory intervention. Historically, these revenues have come almost entirely from monthly subscriber fees that cable, IPTV and satellite companies pay. Subscribers to these distributors are cutting the cord and migrating towards streaming providers, which has had a dramatic impact on public interest broadcasters like AMI, putting their ongoing viability at risk.
Compounding the problem is that CRTC has generally been unwilling to consider changes to the rates that broadcast distributors pay to public interest services, except as part of a formal licence renewal process. Licence renewals are supposed to occur every five years, but, given the recent overhaul of the Broadcasting Act and the CRTC's efforts to revise its regulatory framework as a result, licence renewals for these channels are now unlikely to occur before 2027, a full nine years after the last renewals were considered. Moreover, AMI's television services have never had a rate increase in their nearly two decades of existence.
AMI's annual revenues are now well over $4 million less than they were when AMI's licence was last renewed in 2018, and they continue to decline. This financial reality has forced AMI to restructure its operations, reduce its workforce and shift the ways it produces programming, but this is only a temporary fix. While increasing the rates broadcast distributors pay by a reasonable amount is part of the solution, we respectfully submit that a more comprehensive approach is needed. The CRTC is currently considering what financial contribution streaming platforms should make to the system, and AMI and others have argued that a portion of such expenditures must go to support public interest channels—something that is now specifically contemplated under the Broadcasting Act.
Furthermore, in 2024, the government committed $10 million over two years to help address funding shortfalls for public interest services. This funding was recently renewed for an additional two years but at a lower amount. While we truly appreciate this funding, it is far from enough. Over the next three years, the public interest services that are eligible to tap into these funds expect to face a funding shortfall of more than $38 million.
What we desperately need is reliable, sustainable funding. This involves a dedicated envelope of funds from the federal government for an extended period of time and at levels substantially greater than $10 million. This, coupled with increased funding from broadcast distributors and required contributions from streaming platforms, would help stabilize the operations of public interest channels for the long term. Without such support, however, the viability of our channels and their ability to deliver on their mandates are in serious doubt.
AMI would like to thank the committee for the opportunity to provide these comments, and we would be pleased to answer any questions you may have.
Thank you.
:
Good morning, Madam Chair and committee members. On behalf of the Canadian Ethnic Media Association, we would like to thank you for the opportunity to appear before the House of Commons Standing Committee on Canadian Heritage for the study of the journalism and media sectors.
I am Kiumars Rezvanifar, president of the Canadian Ethnic Media Association, and also, for the last 33 years, an independent television producer for the Iranian communities in Canada. With me is Ms. Madeline Ziniak, chair of the Canadian Ethnic Media Association and a recipient of the Order of Canada for her work in multilingual and multicultural media.
The Canadian Ethnic Media Association, CEMA, was founded in 1978, and is a not-for-profit, volunteer-based organization whose membership of journalists, producers and writers from all media platforms serves as a voice for Canada's diverse ethnic media sector. For the past 48 years CEMA, as part of its mandate, has supported the principles of Canadian citizenship, multiculturalism and the right to free expression without ethnocentric bias. CEMA has also annually produced juried national awards of journalistic excellence in order to recognize, inspire and platform the exceptional work and talent in Canada's ethnic media.
We are here today to address serious issues facing the independent multilingual community television producers sector in Canada. Our media platforms, reaching millions of weekly viewers, target underserved communities across Canada whose language of comfort is neither English nor French. This is to inform you that this is the only Canadian media sector without any dedicated federal support, despite being essential to trusted multilingual communication and outreach.
Unfortunately, in spite of statements made by government representatives, none of the independent multilingual television community producers have any access to any funding, specifically the Canada Media Fund, the Google news fund, the local journalism initiative, or the Canadian journalism labour tax credit. In fact, the criteria for all these funds are prohibitive and punitive to the independent ethnic community producer sector.
Now I will ask Ms. Madeline Ziniak to continue with our presentation.
There is a critical need for an equitable playing field for independent ethnic community producers that is commensurate with Canada's multilingual population. The described landscape has resulted in the demise of many Canadian multilingual media platforms. This challenging environment continues to threaten the fragile multicultural media sector due to systemic exclusion to any existing government-supported funding.
This sector not only reflects the multicultural-ethnocultural identity of Canada, but also acts as a conduit for crucial trusted communication, inclusive of government outreach. A pertinent example to cite is that, during the COVID-19 lockdowns, we provided vital health information to diverse audiences in their mother tongue who otherwise may not have had access to critical life-saving information. It is also important to note that this media sector, without access to funding structures and Canadian government support, could become vulnerable to foreign influence and disinformation, contributing to a potential risk of national security.
According to Statistics Canada, one in four Canadians speaks a language at home other than French or English. The revised Broadcasting Act mandates support for the production and broadcasting of programs in a diversity of languages. We need to be able to contribute to the development and sustainability of a more inclusive Canadian media environment.
The Canadian Ethnic Media Association has been in discussions, for years with relevant levels of government identifying our issues and proposing recommendations. It is in this spirit today that we welcome this opportunity to present the issues concerning the Canadian independent ethnic community producer sector. We are Canada.
Merci. Meegwetch. Ba Sepas. Diakuiu. Thank you.
We look forward to your questions.
:
I'll begin to answer that and then pass it over to Kiu, who has a real-life experience of what is really going on.
Without support from Canada, you have ethnic media that is often voluntary or that has to be subsidized by other businesses in order to continue its television programming and production of ethnic content. There are many occasions that have been cited where foreign governments have come forward and said, “We will support your media entity. However, if we do so financially, you will have to include some of this editorial.”
Many independent producers, Kiu being one of them, have refused this support based on the information they would have to carry, which would not be through a Canadian perspective, especially at this time of polarized environments.
I think we're living through an extremely challenging time, certainly for ethnocultural communities that are dedicated to a Canadian ethnocultural perspective. They are the thread that is binding communities in Canada and a voice that is trusted in the mother tongue. It's very important to get accurate information. Often, those whose language is not French or English have a problem in interpreting distinctly the information that comes forward.
Now I'll ask Kiu to give his own life experience of the situation.
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We are fighting that. In fact, for the past two months we've seen a total media blackout from all levels, not only the media, but even the human rights advocates.
I'm part of that organization behind the scenes organizing all of these rallies and everything else. We have created a kind of brand for ourselves.
I remember one of of the rallies. I believe there were 150,000 people in downtown Toronto. We received only 20 seconds of exposure from one of the media outlets. It seems like every day that happens. That itself is news, if you want to cover it.
We heard that there are—I don't want to name them—certain mentalities and views in that organization that led them to not give us the coverage. That's for the whole community. It's not that often we go to a broadcaster and demand that, but it's been so obvious, so clear. This is news that has been covered all over the world, in every aspect, and our main broadcaster tries to look the other way, or at least it doesn't give it the attention it deserves for Canadians, not only for us. Right now, we are not living in a global village; we live in a global neighbourhood. Everything that happens anywhere affects us right now. It is kind of sad and disappointing that we really rely on that organization to give us our story. We've been educating Canadians of what's going on because, unfortunately, they are not getting the real truth. We should be getting it from the CBC.
:
Thank you, Madam Chair.
Thank you all for being with us today.
A healthy media ecosystem is one where everyone can see themselves reflected in the stories being told. Everyone deserves access to news.
My first question will be for APTN.
Ms. McKenzie, Mr. Omelus and Mr. Fortune, thank you for being with us.
Indigenous media organizations play a unique and vital role in Canada's media ecosystem. They ensure that indigenous voices are heard, that stories are told authentically and that communities, particularly in remote regions, have access to culturally relevant journalism.
Ms. McKenzie, you said that as indigenous peoples, you are the ones who should be telling your own stories. In your experience, what kinds of stories or perspectives are most often missed when indigenous journalism is absent from the media landscape?
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It absolutely has to be about the resources to do it. APTN gets its money primarily from cable subscriptions, and we all know the direction that cable subscriptions are going. It means decreased revenue, year after year, for broadcasters like APTN.
We also have rating systems in Canada that are not truly capturing the audience that actually watches APTN. It's focused a lot on the southern communities. There's barely any measure. I know there is work being done to change the way television consumption is measured to capture those true audiences for us, but it's just not happening fast enough. It affects our bottom line and our revenue when it comes to marketing. Everyone looks at those ratings numbers and says, “Sorry, but we can't help you there,” even though it's not a true reflection.
We have done more with less over the years, in recent years especially. We absolutely have to be on the digital scene. I'm very proud of the work our staff does. They just go ahead and charge forward. They have so many ideas and get them out there, and we do our television broadcasts. They get everything onto digital.
We just relaunched our new news app. It was down for a little while because of the upgrade, but you can find it now.
I could go on and on, but I think I should leave it there for your questions.
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Obviously, when it comes to the quality of journalism, I think most journalists still want to do work that they care about. You become a journalist because it's truly a profession that you care about; you do it for the cause. Journalists are very dedicated, and they want to do their job well.
However, what has become clear over the past 15 to 20 years, that is, since I became interested in journalism, is that there has been a major rise in opinion journalism, particularly that format, and understandably so. It pays for news businesses to do opinion pieces, and it costs less to produce than in-depth investigations and reports. It attracts a lot of people. However, this journalism often misleads people, because they have trouble distinguishing between factual journalism and the journalists' opinions.
It's also a type of journalism that perhaps brings less insight into understanding social issues. In my opening remarks, I talked about the importance of funding investigative and specialized journalism. I think that goes hand in hand with this rise in opinion journalism.
There are genres that have emerged and that raise questions, then.
Aside from that, there are also all the media crises. We're now talking about specialized media, ethnic media and local media. Those are media outlets that face a lot of funding difficulties. Fewer and fewer people want to work in community media because it pays poorly. It requires a great deal of commitment. It's a bit like believing in a cause and throwing yourself into it. There's a real need in that regard. Community media outlets have lost a lot of resources. In Quebec, in particular, there was a great deal of competition between regional media outlets, which meant that a lot of areas lost their weekly papers after the war between the Quebecor and Transcontinental weeklies at the time. We're really seeing a decline in local and community media, in particular, and that's worrisome.
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I think there's a lack of distinction. Many people are being misled. That's what a lot of our research and that of my colleagues demonstrates: that people don't always distinguish between opinion and factual information. This creates confusion and distrust of the media. Those distinctions have to be clearer.
Obviously, there are trends. There's a clear rise in opinion journalism in the United States. Now, online influencers who are extremely popular are making opinion journalists more popular. That creates even more confusion about who is a journalist and who is not. Right now, many people online are claiming to be journalists, but they actually have ideological biases. That's extremely concerning as well.
In my opening remarks, I talked about journalistic responsibility. That's a problem we're seeing. I recently went to a number of journalism conferences where columnists and opinion journalists said they shouldn't have to follow codes of ethics because they were doing opinion journalism, not factual journalism. That's a serious mistake. Opinion journalists are subject to the same ethical rules as news journalists. The only difference is that they have the right to give their opinion on the news, but that news has to be based on accurate, verified and rigorous facts. There's sometimes a kind of laissez-faire attitude when it comes to opinion journalism, as if opinion journalists could afford a few ethical lapses.
:
Thank you for the question. It's an excellent question.
I believe that advocacy groups are important. It's important to advocate for the coverage of different perspectives and to have comprehensive reporting that presents the two sides of the parties involved in various conflicts or situations.
My real issue with groups such as HonestReporting Canada is their approach. Some of them engage in doxing, which is the malicious release of personal information. They intimidate journalists. They target specific journalists. It isn't just these advocacy groups. We're seeing a growing number of individuals doing this on social media. A number of studies show that journalists are targeted by hate messages or subjected to intimidation campaigns. People's addresses or their families' addresses are shared. The situation has reached a point where people decide not to become journalists because they fear for their safety and or their loved ones' safety. As I said, the economic conditions aren't always easy either. Why do this job if you receive threats?
This doesn't just affect journalists. It also affects experts who speak out in the media. I could talk about this at length. My team, which works on disinformation, has often received threats. We've had to step up security at the university.
These tactics intimidate people and deter them from continuing to speak out in public. We must stand up for different advocacy groups and different points of view. However, we must do so rigorously and honestly, while upholding the rights of individuals.
:
Thank you, Madam Chair.
I would like to thank all the witnesses. It's quite informative.
Mr. Omelus, I'll ask you a question. I gather that you speak French quite well, by the way.
The Government of Canada has signed an agreement with Google that brings in $100 million a year, an indexable amount. Of this $100 million, Radio‑Canada receives $7 million because it employs journalists. The number of journalists employed by each media outlet that receives funding is a key factor in this agreement.
Do you find it right that, even though the Government of Canada—or the Canadian people, for that matter—gives $1.4 billion so that CBC/Radio‑Canada can carry out its work, the organization also receives $7 million?
True, CBC/Radio‑Canada employs journalists. However, all ethnic communities and media outlets such as yours could obtain more funding. You could have more funding for your journalists if that $7 million didn't go to CBC/Radio‑Canada.
I understand that $7 million—in a situation such as the one discussed earlier involving $6 billion in lost revenue—is peanuts. However, it's still an amount paid to an organization that already receives $1.4 billion to carry out its work.
Do you think that it would be right for 100% of the money paid out by Google to go to organizations such as yours?
:
Thank you, Mr. Généreux.
Seven million dollars isn't peanuts for APTN, of course.
I'll speak in English for the sake of clarity.
[English]
We have a great partnership with the CBC/Radio-Canada. We have a memorandum of understanding. We could not do some of the work that we do, especially scripted dramas, without their support. They have been very supportive.
It's a really complex issue as to who is eligible for additional funding coming into the system. We benefit from some Google money, because of the journalism that we do, but I think it's something the regulators need to be seized with to decide the best way to spend the money. Should it go to an organization that is already funded by the government to the tune of $1.4 billion? That's really not something for us to comment on.
I do want to express our gratitude to Canadian Heritage for the gap funding that we did receive. I think APTN received $2.5 million. That is very helpful. It's interim and short term as the CRTC works through the updating of the Broadcasting Act, but we are grateful for that support. I wanted to mention that.
:
I found it quite intriguing when Mr. Omelus spoke earlier about discoverability. We talked about data. I think that discoverability is a challenge for all Quebec and Canadian media. A number of our studies have focused on this issue. We've also heard about it in Quebec City. It's a major concern. However, are there limits to our approach to discoverability?
Ms. Carignan, I would like to talk about the news that caught our attention. Radio‑Canada decided to make its programming available on the Prime Video platform. Prime Video is owned by Amazon, one of the GAFAM companies. Remember, this American company systematically refuses to comply with any tax or regulatory regulations when it comes to broadcasting.
From your perspective as an observer, which I imagine is as objective as possible, what do you think of Radio‑Canada's decision to provide RDI programming on an American platform even before providing it on its own platform, ICI TOU.TV, when the English version, CBC News Network, is available on Gem?
Maybe I want to know whether I'm completely off base in thinking that the decision makes absolutely no sense. However, I don't want to put words in your mouth either.
:
As an expert, I always try to cover the different sides. I know that the committee asked to hear Radio‑Canada's position on this. I think that it will be useful and important to do so. I think that it's a good initiative.
I gather that certain economic aspects explain the decision. All media outlets, including the national media, are having trouble generating revenue, even if they have certain privileges that others don't have. It's really an economic problem for everyone these days. The challenge is widespread.
The RDI channel reports the news for Radio‑Canada. It's an important channel. There are fewer and fewer cable subscriptions. It's necessary to find other ways to fund RDI. I understand that. We're hearing that a situation supposedly explains the choice to go through a provider that isn't ICI TOU.TV and that the agreements with the cable companies prevent this content from being made available for a fee on ICI TOU.TV. Nevertheless, that doesn't stop us from asking big questions about the chosen platform, Amazon Prime. It isn't necessarily a good player in terms of labour relations or its approach to setting up shop in Quebec. We've had all kinds of discussions about this.
In terms of the discoverability of Canadian and Quebec content, I believe that these major platforms have a long way to go to make our content more discoverable and accessible and to open the door to Canadian media. In that sense, I find it hard to understand why a public broadcaster chose to go with Amazon Prime.
It's an interesting panel we have here today.
I must say that CBC's mandate was not answered when APTN was formed, and I remember your coming on the air in 1999 because CBC did not fulfill their mandate.
I just want to say to APTN, don't worry about Numeris ratings. When the president of CBC was here, I asked her about the ratings. I knew they were very poor, but she wouldn't give them. Don't worry about it. They only want to talk about it during the Olympic gold medal game that 13 million Canadians watched. Don't worry about the ratings, because our national public broadcaster couldn't give a damn about the ratings and only when they're in their favour.
It's interesting, because I've been a broadcaster for over 40 years. Bill , which was brought in by the Liberal government, was supposed to be the answer to broadcasting. It was supposed to give funds to small players and local voices. Have any of you received any money out of Bill C-18?
I'm going to start with AMI. I'm old, and I got called out on closed captioning. I ad libbed a lot of my sportscasts. I got called out by the CRTC for not using closed captioning when it first came in.
David, thank you. You started this in 2009. I got called out shortly after.
Have you received any of the funding from Bill that was supposed to go to the group that we're seeing here today?
:
Congratulations on your appointment, by the way.
I want to go to the Ethnic Media Association.
Ethnic media is a growing medium. I saw the footage from the city of Toronto rally where there were well over 100,000 people. We never had anything like this in Canada in all my time in broadcasting. You said there were 150,000 people. I watched the news that day. There was maybe a maximum of a minute on CTV and Bell Media, and there was a little bit on CBC.
It's frustrating, because when we got into Bill , I thought it was about small players, local voices. Over 100,000 people took to the streets in the largest city in this country, and there was no balance in media whatsoever.
I would like you to talk about that, because I think ethnic media has received little or no funding, and it's disturbing when I see and hear these stories not being told after Bill was passed.
:
Thank you very much, Madam Chair.
This is a great panel.
Many of the challenges we're facing in this sector are because we're moving from traditional broadcasting to digital platforms, and digital platforms aren't monetized in the same way. This seems to be across the board, and now we're trying to catch up to this new reality.
As we move to digital platforms, and Madam Carignan spoke of this as well, we're running into the problem that digital platforms respond differently from traditional broadcasting in terms of how they perform and how they react.
[Translation]
I'll start with Ms. Carignan.
One challenge lies in the fact that digital platforms prefer rather extreme perspectives, which generate more interaction. If the content is more journalistic or consistent with journalistic standards and practices, it's too boring and too balanced for the algorithm.
How will journalism survive in this world? People are now confusing opinion with journalism, as you said, because digital platforms prefer opinion. Is this true? How can we support journalistic content in today's world and on today's digital platforms?
:
The rise of opinion journalism is also due in large part to the fact that it is inexpensive to produce and it attracts attention. The whole financial aspect has also made it very popular. The major platforms say they don't need news, because people don't go to them for news. That's hard to contradict, since we don't have access to their data because it is private. However, it's clear that many people choose digital platforms for news content. A lot of people left Facebook after news media content ended. Many are saying that the content on Facebook is now superficial and unverified.
There's an appetite for news, which is sometimes hidden because it's not profitable. Social media algorithms are clearly designed to stir up emotions. They want to keep people on the platforms for longer. What people see is what generates anger and outrage, what makes them react, what makes them laugh and what hooks them in. That's another issue. Right now, in the United States, there's a whole trial about the way platforms were built to grab attention, which can have a very negative effect on young people and on the rise of radicalization and violence.
Perhaps we should take a step back and realize that people also have an appetite for news. Their appetite should not only be defined by viewership, but also by the public's desire to get relevant information in order to make informed decisions. We sometimes confuse what people need with what they want or what they're curious about. These are two completely different things. Let's not confuse the two. People also have to be offered what they need, and for that to happen, they have to be exposed to it. Therefore, we need to promote content discoverability. I think people have an appetite for that.
Various studies, including one by the Centre d'études sur les médias at Université Laval, show that people have made a marked shift to downloading the media platforms and applications that have been blocked. That proves that there is an interest and an appetite. People need to know how to access it and they need to be able to access it.
Just to give you a bit of background, I was a journalist for 30 years. There are several around the table here. I worked in radio, TV, magazines and newspapers. Back in the glory days, we were very, very opposed to taking any government money. I worked at a tabloid for most of my life. We said, “No, we want to be independent; we don't want to be undermined by looking like we're taking government money.” Today everybody wants it.
You also see online now how people will deride mainstream media, saying that you're bought and paid for. What's the solution? Obviously, we don't want to see journalism disappear. I don't want to see that. I think we need more journalists, not fewer journalists, and I say that as a politician. What is the solution?
Maybe we could start with Mr. Rezvanifar.
:
In terms of a solution, I can only talk about my sector. We are grassroots. Our work is not just our work; it's our passion—passion for our culture and passion for and commitment to our community. The reason I spoke as a media person, obviously, about recognizing the community is that there's a responsibility on me. All my conduct has to be questioned. I have to make sure that I am scrutinized, first by me and then by my community.
I would like to say that, for us, to come to this level, we don't want to get money from the government, but in terms of advertising, the world has changed drastically. It has happened very quickly. COVID made it faster. You might have asked where, for the past 33 years, we got the money. We were making it just like any other operation. We are extremely small. In fact, we're a one-man show, with maybe a couple of freelancers. I'm a producer. I'm a director. I'm a content producer. I'm a marketing executive. I have to do all this stuff by myself. Why? I could have gone and found a job with CBC, but that's not the one I'm looking for. I want to commit. I want to basically have a job that I can vouch for.
For that matter, I would like to say that now it's become a matter of survival to come and look at an authentic and legitimate source of funding, which is the government.
:
If you allow me, I will answer in French.
[Translation]
I think we need to think about a number of funding sources.
[English]
We are in a moment where we don't have the choice to have that kind of public money to help the media.
[Translation]
I think it's important to maintain public funding. We are at a point where we no longer have a choice. If the media is a public asset, it needs to be funded. We need to fund media outlets at all levels, serving different populations.
You were talking about the distrust that people will have if they know there is public funding. That raises questions of how to introduce media literacy programs that explain how journalistic practices and journalistic ethics work. Perhaps we also need to strengthen the bodies that promote journalistic independence and ethics. The Conseil de presse du Québec, for example, is having major financial problems right now. A number of media outlets are no longer members. What image does it send when the media no longer responds to the body that is supposed to defend journalistic ethics?
In Canada, there used to be press councils in every province. Now, there is the National Media Council of Canada, which is greatly weakened. I think we need to strengthen these mechanisms to show the independence of the media, while giving it the financial means to move forward.
Funding must come from programs that do not operate on a project-by-project basis, but that also help the media operate. I think other media outlets here could attest to this, but, for example, in our research on indigenous media in Quebec, the media told us that they couldn't operate on a project-by-project basis because they didn't have the time or energy to apply for each project. They said they needed a recurring operating budget.
At the same time, we could fund constructive initiatives for the media. For example, platforms could be created where all community or local media outlets could put their content together. That way, we might attract more people to these platforms, because there would be more content available and more visibility. In addition, it might be a better media lever to get advertising funding.
These are structural initiatives that could be funded by the government and that would enable media outlets to work together, to collaborate, to strengthen their structure and to have better discoverability and therefore greater bargaining power for advertising.
:
Thanks very much, Madam Chair.
That's a great question, MP Diotte. I was thinking the same thing. I mean, we're talking about mistrust. I would argue that it goes as far as also involving people's relationship to private advertising money. I would say that the distrust across the board has been not just if people get public money, but if they get money from advertising as well, or from big business or whatever.
Let's be honest here. Mistrust goes across the board. As soon as people feel that there's any financing coming from outside, they feel like it's affecting journalism, whether it be from advertising or from public money.
It makes me wonder how much we need to take a step back and talk about the profession of journalism. I know that we talked about education and media, but I would like to hear your perspective again on how many people understand what journalistic standards and procedures are. What does that look like? What does it look like to have an ombudsman at a paper, at a radio station or at a media organization? What does accountability to an audience look like?
Now, it looks like it is accountable only if there's no private financing, if there's no government.... That creates a world in which organizations can't build or grow and actually deliver reputable journalistic news sources to people.
Perhaps we'll start with David and Kevin. I'd be curious to know your thoughts on how we can educate the population to understand the new media landscape and what it looks like, and what journalism looks like as a profession.
:
AMI is a little bit different from APTN and the different organizations. We're not a news organization. We're a niche service that wants to put a positive portrayal of persons with disabilities and create content that is reflective of their stories and puts them in the media.
That being said, I'll keep it short, but from our perspective, I think it's really important that all Canadian perspectives are represented within journalism. We have a show on our audio service where David Lepofsky is one of our hosts. He's talking about news and information from the journalistic perspective and that of a person with a disability, who's blind or partially sighted.
Like the stories that Cheryl was talking about from APTN's perspective, it's important that voices in indigenous programming are heard with respect to news.
I will leave it at that, because that's kind of what we're about. I'll let the organizations that actually have news teams, news services and whatnot speak to the authenticity of journalism.
I'll throw it to you. It's not my role to do that, but....
:
Canadians have a great deal of misunderstanding about the journalistic profession.
As I mentioned earlier, even journalists have trouble understanding whether they are journalists. I've heard columnists say that they weren't journalists because they were columnists. However, they are opinion journalists. Imagine how hard it is for the general public to understand the definition, especially at a time when influencers claim to be journalists. Other people comment on the news and say that they are not journalists, but rather commentators and interpretive writers. In Quebec, we have many influencers, like Alexplique and Farnell Morisset, who don't claim to be journalists, but people don't always keep things in perspective. It's very complicated, and the media also has responsibilities in that regard.
Last year, I attended the Semaines de la presse et des médias. At the event, journalists wondered how to regain public trust. I told them that they too had to explain their journalistic approach. In reports and articles, journalists would do well to provide a little more detail explaining how they got their information and who they spoke to. It's a matter of educating the public through information so that people understand. I also think that the proximity of journalists and the media to the public is really important to maintain that connection and that trust. That means that we should be present in communities and hold meet-and-greet events. It's not always easy, but it's important.
You were talking earlier about ombuds and self-regulating organizations. When I teach, I notice that I have communications students who are interested in journalism. In the first class, I ask them what an ombud or the Conseil de presse du Québec is, and they have no idea. However, if they don't know that the organization exists, they can't file a complaint with it. Also, not knowing or understanding the mechanisms doesn't help build trust. That leads me to say that these mechanisms are really misunderstood, so we need to promote them. The media, which doesn't have a code of ethics or equivalent, would at least benefit from showing that it is adopting good practices.
In short, there is certainly a lack of understanding at the moment.
:
It would be very useful for the committee to have access to it. If ever there is a problem, since this meeting is public, Mathieu Lacombe will tell us immediately because I'm sure he listens to us.
I want to go back to the end of our conversation earlier. We talked about Radio-Canada's decision to offer RDI content on Prime Video. Obviously, given the time we had, we weren't able to finish the discussion, but I wanted to add something to it, which is that the issue of funding the public broadcaster often comes up on the agenda. I know that there are currently plans to review our public broadcaster's mandate, but also its funding model.
In your opinion, is that the solution?
I'm not just talking about discoverability and the fact that RDI content ends up on Prime Video. I'm also talking about all the challenges related to advertising, competition with other media and the availability of advertising content for media outlets that could benefit more from it if, for example, those revenue sources were removed from Radio-Canada's funding model.
Do you have an opinion on the funding model we should put in place for CBC/Radio-Canada?
:
First of all, let me say that I am a Canadian Iranian, because this is a country I chose. I didn't have a choice regarding the other one. Obviously, I went to school in the U.S. and then ended up in Canada. We didn't come here for economic reasons. We came here for political reasons. I left that country 46 years ago, and I've never been back. I'm going to say that I love this country and it's my home. Even if things change over there, I won't be going back. This is my home. This is the same sentiment shared by, I would say, 90% of the Iranians here. This is our country. Everything belongs to us. We work here. We pay taxes for the CBC and everything.
When it comes to actually being treated like Canadians, all of a sudden, we are not Canadian anymore. That's why the frustration exists. If you follow the situation with the rallies you mentioned.... I've been in touch with the mayors, police departments and everybody. They've never seen anything like it in Canadian history. You had 570,000 people coming to the longest street in the world. Not only did they not have even one incident, but they also cleaned the streets to make sure. Why is that? It's because this is our home. This is our country. In return, we didn't get any kind of media coverage. We got a reaction from the premier. He said that if you ever want to do a rally, take a page from the Iranian community that this is how to do it. There was not even one incident in all the major rallies we had.
In return, we expect some kind of response telling our story. I attended every one of them, by the way. Last Sunday, in front of the U.S. consulate, you should have been there. It was as if everybody was American, Canadian or Persian. Come back to that. We expected that major media would give us coverage. After all, we belong to you and you belong to us. That's why we're disappointed. Normally, we let it go. It's not the first time, by the way. Throughout 46 years, it's been ignored globally—murder or whatever it is. The numbers say 30,000 or 40,000, but the actual number is 97,000 youth being massacred in two nights. It still didn't stop because it continued with mass executions after that, done to the people who were arrested.
That's why we want this story to get out there. After all, we want international support, which we are getting to some degree. The whole globe understands what we have been going through for 46 years. You expect the CBC's major headlines to tell our story. Don't ignore us.
:
Thank you. That's a good question. In fact, it's a very good question.
I would say both of them. There are two sides to what is happening in Iran. There's a pro-government and an anti-government side. The anti-government is us, and it's the whole world that's in solidarity with us.
In the first part, it did not receive the coverage it should have received by major media. The second one is kind of interesting because most of my colleagues, Canadian Iranians, are frustrated because the other side, the pro-government, received more coverage than the anti-government side. In fact, sometimes you listen to it and you wonder, how about the other side?
I understand that you need to balance it. Obviously, you're providing information. You leave it to your audience to understand what's going on.
Now I would say it's probably about 30% versus 70%, the 70% being pro coverage of all this stuff and 30% being what they have to cover. That's why credibility comes into question. Is it biased or is it unbiased? We have reached the point where the reaction or demonstration in front of CBC tells you what kind of conclusion people have reached.
:
I'll come back to ethnic media here, just to round out this conversation.
One thing CEMA stated in a press release was:
Independent third-language producers are excluded from existing federal programs such as the Canada Media Fund, Google News Fund, Local Journalism Initiative, and the Canadian Journalism Labour Tax Credit.
Obviously, there has been an environment of exclusion created around media funding. The government has positioned itself to choose winners and losers, in terms of who's in and who's out. Then, interestingly enough, it's not only in terms of who's in and who's out with regard to funding but, then, also who gets to ask the government questions and gets access to the press gallery. When a government puts itself in that position, they ultimately begin to influence the message that gets put out to the general public, which I believe is a very dangerous place to be. I believe most of you on this panel would agree with that. The last thing we want is a state-run media. We want to keep it independent. We want journalists to have freedom to exercise their discretion and to be true to the story as it happened rather than taking a certain narrative or angle.
CEMA is in an interesting place, of course, because these third-language initiatives are offering news from a place of wanting to tell the story in the language that is desired by those who are watching these different programs, and wanting to do so, I believe, with as little bias as possible. However, again, I come back to the fact that the government has put itself in a position where it is choosing winners and losers. I'm wondering how this inequality, in terms of funding and government choice, impacts the ability of Canadians and, in particular, ethnic Canadians, to access accurate information.
:
Thank you very much for the comments and the question.
We're so important in bringing forward an ethnocultural perspective from a Canadian perspective. We have seasoned journalists who have had experience internationally and now are here in Canada, like Kiu is.
The whole media landscape has changed in that there is support for many entities. We have even asked different government representatives if there should be a multilingual CBC, if there should be a multilingual TVO. We've gone down every path.
We are the underdog. Everyone is here because they're passionate about democracy and about reflecting community leadership that does not get airtime in traditional media. The fact is that the CRTC hasn't looked at the ethnic policy, for example, since the early 1990s. We need our rightful place, in the broadcasting system, to be able to express our perspectives, especially at a time when the world is so turbulent, and to contribute to the dynamics of Canadian citizenry.
The broadcasting system recognizes independent production companies, broadcast entities and community radio stations, but does not recognize the independent ethnic producer. This is not helping us or assisting us in contributing to Canadian events. The coverage is still very sparse at times, and the perspective that is allowed is sometimes stifled. It is at these times when our role is extremely important.
Kiu, do you want to add something?
:
I would like to follow up.
You have to understand the nature of what we produce. I have interviewed prime ministers on my program. We have representatives of police departments. People from all levels of government have been guests on my program.
Why are we doing it? We want to teach the newcomers to our community to integrate with these people.
I could put on shows from home. I'm not doing that. I know my colleagues are doing the same thing, too. We want it to be the conduit between the government and our community. We've been doing it for the past 33 years, as I said, without any kind of funding.
When the election comes or when certain major issues come up, they know what my telephone number is. They call and ask for help, and we do that.
We have had more than 50 Zoom calls over the past two years with government officials. We even hired lobbyists. We got everything. Nothing happened. Interestingly enough, when we are on Zoom, it seems like they are just hearing from us for the first time. What have you been doing there? Some of them think that we're already getting funding. We had to educate during all of those 50 Zoom calls about who we are, what we are doing and how long we've been doing it.
It's kind of sad because I heard and I read that New York State in the U.S. has funding for ethnic media, and they're a melting pot. They are not a multicultural society. They even have funding for their third language programming. Here, it's kind of sad. In fact, somehow it's kind of disappointing.
:
Thank you, Madam Chair.
I would like to thank the witnesses once again for attending. Today’s meeting has again been truly interesting.
Ms. Carignan, earlier, at the start of the meeting, you spoke about the Online News Act. You said that this act was important and should even be strengthened. I share your view. The act should be strengthened and it should also be refined.
Furthermore, there are also calls for an agreement with Meta to enable news to be found on their platform once again. Many influencers, of course, need these platforms to distribute their content, but regional media outlets need them too. I am thinking of the weekly newspapers that used to publish a great deal of their content on these platforms and gained a significant reach thanks to them.
There may be slightly less rigidity on the part of certain players in the news media sector, but do you think there is a need to reopen this discussion and, possibly, to make compromises to allow different voices to be heard a little more widely on Meta’s platforms, in particular?
:
Let’s talk about artificial intelligence, indeed. It’s the big elephant in a room that’s getting smaller.
Artificial intelligence is, of course, fuelled by content. We have a kind of double-edged sword here. If we decide not to allow our content to be used to feed artificial intelligence engines, we condemn francophone culture and the francophone media to being drowned out in the North American English-speaking ocean. This is also likely one of Meta’s motivations for enabling finding journalistic content online. Indeed, indirectly, this would allow it to feed its artificial intelligence tools.
I know it’s a fantastic technology. I know we won’t be able to escape it and that it will be useful in many ways. I know it will make life easier, but it will also bring many ethical problems and questions that we do not yet know.
How should we move forward in this area? At present, what place should we give it in journalism? That is essentially what we are discussing today. What role can we afford to give to artificial intelligence, particularly in a context where certain regions are poorly covered by the media due to a lack of manpower and the disappearance of media outlets covering regional news? At present, what role can we give to artificial intelligence as a tool for journalistic coverage?
:
Indeed, we have no choice; we must make the shift towards artificial intelligence. It’s here, and we’re not going to go backwards.
I was reassured to hear Mr. Myles mention earlier that human intervention was necessary. Journalistic codes of ethics have begun to incorporate artificial intelligence by stating that its use must be declared. Its use must therefore be transparent and, ultimately, always subject to human intervention—that is, verification by a human. This is because these tools are subject to cultural biases and programming biases. They are not immune to errors or hallucinations.
It is therefore important that journalistic work remains fundamentally human, that there are checks and balances, and that we do not leave it to a machine and to external parties who have programmed these tools to control our content, especially as we can see that artificial intelligence will not produce the same results if it has been programmed in China or the United States, for example. So, there are significant cultural biases that it is important to be aware of in order to make the most of artificial intelligence in the media.
Now, we are seeing that many media outlets are beginning to integrate it. These outlets sometimes try to develop their own artificial intelligence tools, but they need the resources to do so. That may be a solution, but in that case, will the biggest players still have the advantage? That is one of my fears.
So, we need to see how we can pool resources to make them shared. Obviously, in culture as in journalism, the whole issue of intellectual property arises. Perhaps the discussion with the major platforms will also need to include artificial intelligence.
:
No, that’s all. Thank you very much.
I extend my thanks to all of today’s witnesses.
[English]
Thank you to everyone for participating.
If there's something you forgot to say or something you think about later, or if you have documents that have been requested by members or other documents you think we should see, please send them to our committee via our clerk. We'll all be able to read that information and incorporate it into our study.
You are excused.
I would like to ask members quickly, if we all agree, if we can add at least one more meeting to this study, because there are so many witnesses who would like to testify. I think it behooves us to add at least one more meeting at this point so that we can include those voices.
Is everyone okay with that?
Some hon. members: Agreed.
The Chair: Thank you very much.
The meeting is adjourned.